Discover The Hauntingly Beautiful Paintings of American Artist Daniel Ambrose
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About

The captivating paintings of American Artist Daniel Ambrose are renowned for their extraordinary luminosity and evocative spiritual sense of place. A master of the rare, 15th century, Renaissance technique of egg tempera painting, Ambrose’s exquisite paintings radiate an understated, ethereal beauty, seldom found in contemporary art.

A Florida native with a professional career spanning over 25 years, Ambrose's paintings have been exhibited in numerous solo gallery shows and many fine art museums including; Florida Historic Capitol Museum, Gibbes Museum, Jacksonville Museum of Art, Leepna-Ratner Museum, Museum of Florida Art. Corporate, and public collections include S. James Foxman Justice Center, Bank of America, Florida Memorial Hospital, the city of Orlando, Daytona Beach International Airport, and the Permanent Collection of The Museum of Arts and Sciences.

"Ambrose is an extremely talented painter whose work never ceases to delight me. As an art curator I have been privileged to work with him to present exhibitions of his work and to buy examples of his work for museum collections." -- David Swoyer

Daniel's paintings are available exclusively in select fine art galleries along the eastern seaboard of the United States. Inquire about availability of current paintings, or new openings in his limited private collector circle.

Egg Tempera Workshops

The Daniel Ambrose Egg Tempera Workshop is an incredible opportunity to learn from a master egg tempera painter the techniques of this ancient painting medium. The two-day Introductory Egg Tempera Workshop will cover a general overview of egg tempera painting in an encouraging, informative setting. . .

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Stories

A melodious bird punctuates the silence as the gray light yields to pink. Yellow bands of welcome sunlight begin to ease into the studio. It’s then, in the early morning hours, in quiet conversations over black coffee and green tea with my beloved, we may discuss the paintings on the wall. And her gentle guidance often helps me navigate the pictures in my head.

It’s been eight years since I painted Love and Beauty. At the time I intended to deepen a particular vein of thought.

But Lord knows I’m slow in knowing where I’m headed with these paintings of mine. I had a shimmery image in my head and just couldn’t get a fix on it. I said to myself, I am going to paint this way, and the next painting sails off into the wild blue yonder. One moment I am on the the beach in the predawn hours. . .

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